When too much becomes nothing..
..and nothing becomes too much
Theater performance at Zaal3, The Hague by Inga Hirsch, Omer van Soldt, Wiggo Mott, Andrzej Konieçzny, Levi Kramer, Charlotte Roschka, Tingyi Jiang and Myra-Ida van der Veen.
’When too much becomes nothing and nothing becomes too much’ is constructed around a paradoxical notion of the musical term - decrescendo.「Decrescend」is diminishing intensity; 「decrescen」is moving energy;「decresce」the deconstruction of chaos into a moment of temporality;「decresc」is the collective straining into a new pattern. The nature of「decres」is double-faced and does not exist in emptiness. All「decre」is dynamic, and in context to the other. We hear, see and perceive「decr」because something happened before. Throughou「dec」we are opening up space for exploring previously unseen and unheard happenings. Reducing「de」then to a simple moment in time, that coincidentally happens to exist on stage.「D」is crescendo.
Is it too much? Does it mean nothing?
You cannot be late.
’When too much becomes nothing and nothing becomes too much’ is constructed around a paradoxical notion of the musical term - decrescendo.「Decrescend」is diminishing intensity; 「decrescen」is moving energy;「decresce」the deconstruction of chaos into a moment of temporality;「decresc」is the collective straining into a new pattern. The nature of「decres」is double-faced and does not exist in emptiness. All「decre」is dynamic, and in context to the other. We hear, see and perceive「decr」because something happened before. Throughou「dec」we are opening up space for exploring previously unseen and unheard happenings. Reducing「de」then to a simple moment in time, that coincidentally happens to exist on stage.「D」is crescendo.
Is it too much? Does it mean nothing?
You cannot be late.
